They reach the hand-shaped tower where the Witch lives, and learn that Tack is prophesied to save the Golden City.
In the desert, they discover a band of dimwitted brigands, led by Chief Roofless, whom Yum-Yum recruits as her bodyguards. They are secretly followed by the thief, who hears of a golden idol on the journey but fails in stealing it. King Nod sends Yum-Yum, her nurse, and Tack to ask for help from a "mad and holy old Witch" in the desert. Zigzag attempts to use the stolen balls to negotiate Yum-Yum's hand in marriage in exchange for returning the Balls, but when King Nod dismisses him, Zigzag defects to the One-Eyes and gives them the balls instead. King Nod notices the balls' disappearance when the soldier warns them of the invading One-Eyes.
Tack escapes from his cell using his cobbling tools during the ensuing panic. While Zigzag tries to convince Nod of the kingdom's security, the thief steals the balls after several attempts, only to lose them to Zigzag's minions. One-Eyes, a race of warlike, cycloptic monsters, plan to destroy the city, and have already slaughtered much of its frontier guard, all except for one mortally wounded soldier who escapes to warn the city King Nod has a vision of them the next morning. The character designs are a combination of UPA and Disney styles, and the overall style and flat perspective are inspired by Persian miniature paintings. Tack the Cobbler, Zigzag the Grand Vizier, King Nod, and Princess Yum-Yum. Upon retrieving the shoe, Tack bumps into Zigzag, who notices the shoe is fixed and imprisons Tack in a cell. He steals the repaired shoe from Tack, prompting the cobbler to chase him through the palace. Meanwhile, the thief, having noticed the golden balls atop the minaret on the courtyard, breaks into the palace through a gutter. During repairs, Tack and Yum-Yum become increasingly attracted to each other, much to the jealousy of Zigzag, who plots to take over the kingdom by marrying the princess. Before Zigzag can convince King Nod to have Tack beheaded, Yum-Yum saves Tack by ordering him to fix a shoe she intentionally breaks. Tack is brought before King Nod and his daughter, Princess Yum-Yum.
Zigzag, King Nod's Grand Vizier, steps on one of the tacks and orders Tack to be arrested while the Thief escapes. When the thief sneaks into Tack's house, the two get stitched together and stumble outside, causing Tack's tacks to fall onto the street. Living in the city are a cobbler, Tack, and a nameless, unsuccessful yet persistent thief, both mute. According to a prophecy, the city would fall to "destruction and death" if the Balls are removed, and could only be saved by "the simplest soul with the smallest and simplest of things". The prosperous Golden City is ruled by the narcoleptic King Nod and protected by three golden balls atop its tallest minaret. It has maintained a cult following since its release. It is the final film for several actors and artists, including animators Ken Harris (died 1982), Errol Le Cain (died 1989), Emery Hawkins (died 1989), Grim Natwick (died 1990), and Art Babbitt (died 1992), and including actors Felix Aylmer (died 1979), Eddie Byrne (died 1981), Clinton Sundberg (died 1987), Kenneth Williams (died 1988), Sir Anthony Quayle (died 1989), and Vincent Price (died 1993, one month after the film's initial release). The Thief and the Cobbler is one of the films with the longest production times. He acknowledged the film's rehabilitated reputation, due to projects like The Recobbled Cut, a restoration by Garrett Gilchrist, and Persistence of Vision, a 2012 documentary by Kevin Schreck detailing the production. In 2013, the Academy of Motion Picture Arts and Sciences archived Williams's own 35 mm workprint.
Disney, have discussed restoring the film to its original version. Over the years, various people and companies, including Roy E. Both versions of the film performed poorly at the box office and received mixed reviews. Two years later, Miramax Films, which was owned by Disney at the time, released another re-edit titled Arabian Knight. It was eventually released by Allied Filmmakers in 1993 with the title The Princess and the Cobbler. When production went over budget and behind schedule, it was heavily cut and hastily re-edited by producer Fred Calvert without Williams's involvement. agreed to finance and distribute the film.
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It was finally placed into full production in 1989, when Warner Bros. Originally devised in the 1960s, the film was in and out of production for nearly three decades due to independent funding and ambitiously complex animation. The Thief and the Cobbler is an unfinished animated fantasy film co-written and directed by Richard Williams.
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